DREHU VILLAGE POOL

Wé, Lifou

27th and last day of confinement.

Almost three years ago now, I had the honour to photograph my cousin’s wedding in Lifou. We spent five days in total to, not only, photograph the administrative, religious and traditional wedding but also photograph and visit this beautiful Loyalty Island, that is Lifou. We stayed, here, at the Drehu Village hotel in Wé, the capital of Lifou. I’ve got a few more photos over on my profiles Facebook, Instagram and Flickr if you’d like to see more of Lifou.

5 images HDR | 11 mm, 2 seconds @ ƒ/8, ISO 200Panasonic Lumix LX100

The Drehu Village hotel offers a couple of suites and 28 bungalows. They’re clean, comfortable, spacious and quiet. The bar area, just off to the right of this photo, doubles as the breakfast area. The restaurant, to the left with the green and purple lights, serves delicious and beautifully presented meals made from fresh, local ingredients. And of course, a pool. The staff are kind and their services efficient. Different activities are also available along the gorgeous beach of Chateaubriand Bay, where the hotel is located. Nothing bad to say about this hotel, really. You can even get good deals all year round.

This is a HDR (High Dynamic Range) image comprising of five exposures of two to thirty seconds. They were taken with a great little point & shoot camera, the Panasonic Lumix LX100. I’d bought it, after I had all my gear stolen, just to have a small camera to shoot with while saving for a DSLR. And yes, I photographed the wedding with it. Back to the image, composition-wise, I should’ve framed to the right a touch to included more of the bar area. And also towards the end of blue hour for a more pleasing image with the complimenting colour in the sky. Apart from those things I’m quite happy with it and quite surprised at the quality of the end image. The five long exposures were blended and edited in Lightroom with a number of local adjustments. Clarity and highlights on the wood panels in the foreground and the swimming pool. Colour correction at the bar and the restaurant. And a bit of Defringe in the sky and the roofs. I’m pretty happy with this image.

The Panasonic Lumix LX100 has it’s limits but within them, it produces amazingly good images which means you can take great photos with it. It’s got full manual controls, a Leica lens and can shoot 4K video. This camera is great for someone who’s looking for a fairly compact, point & shoot system and would like to get off Auto and into Manual shooting. Or even someone who shoots Manual but wants a compact point & shoot camera. Looks pretty stylish too, in my opinion.

So, I hope everyone’s is dealing well with confinement and using this time to improve your skills in whatever you’re interested in or learning new skills. There’s no better time for it. Starting tomorrow, here in New Caledonia, we’re slowly coming out of auto-confinement. Great for morales and the economy. But, that doesn’t mean everything is back to normal. On the contrary, it is more important than ever to follow the strict measures or protection. The distance between each other, washing our hands regularly for at least 20 seconds, coughing or sneezing into our elbows and, if possible, wear a mask. Any mask. And please, protect yourself, those you love and others by staying safe at home.

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**SANDISK MEMORY CARD**

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**THINK TANK MEMORY CARD CASE**

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**WANDRD PRVKE**

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THE OLD KOUTIO TOLLS

L’ANCIEN PÉAGE DE KOUTIO

Koutio, Dumbea

Doing just fine on this 13th day of auto-confinement.

Glad I came across these photos because it documents an era in New Caledonian history, road tolls. I’ve even had a hard time finding relevant information and there aren’t a lot of photos either. So I’m glad I can share something that doesn’t exist anymore.

18 mm, 15 seconds @ ƒ/8, ISO 100Nikon D3200 + Nikkor AF-S DX 18-55mm ƒ/3.5-5.6G VR

The Voie Express no.2 (E2) or, more locally known as, Savexpress is a highway that expands from Dumbea to Païta. The highway opened in 1979 and the tolls a year later, they provided a rapid entry/exit into Noumea from the north. After 33 years in operation, the toll gates closed at the end of 2013 and were destroyed in 2014, only a few months after these photos was taken.

Quite controversial since it’s opening, users on one hand cut travel times down dramatically but, on the other, would spend on average $150-$200 a month for the privilege. A couple of years before it’s destruction, there were talks of moving it farther north toward the international airport La Tontouta. In the end they decided to get rid of the tolls altogether.

My Fujifilm FinePix S9500 died on me a few months earlier but I was very lucky to have a colleague and friend, Tony, not only lend me his Nikon D3200 with the kit lens but also suggest I photograph the structure before it disappeared forever. Thank you very much Tony.

18 mm, 1/80th second @ ƒ/8, ISO 100Nikon D3200 + Nikkor AF-S DX 18-55 mm ƒ/3.5-5.6G VR

I edited the very first photo (top of page) multiple times over the years without satisfaction. I’ve learnt a lot since 2014 and, not long ago, I realised I was over doing it with the edits. Since my research on the subject, I decided to use these images to document an era in New Caledonian history. The top image is in colour because the contrast of colours work well together between the tolls and blue hour. The other photos, I felt, looked better desaturated with one of my split-tone presets applied. Actually, I like to edit a lot of old structures and things this way. It does depend on the image, of course. For example, colour didn’t bring anything special to these ones. The slight vintage look though changes to mood, put more emphasis on the structure and/or scene.

I’m sure these photos bring back a few souvenirs and stories amongst some of you. And for others, absolutely nothing but a part of history you’ll never know. I hope everyone enjoys the photos.

Once again, protect yourself and others by staying home. Wash your hands, keep your distance, sneeze and cough in your elbow… you know what to do. If we all do our part, we’ll beat this Covid-19 a lot faster. Stay safe everyone.

**NIKON D3200 + KIT LENS**

Nikon D3200 crop sensor DSLR with standard zoom Nikkor AF-S DX 18-55 mm ƒ/3.5-5.6G VR lens

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**SANDISK EXTREME PRO**

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JJC REMOTE SHUTTER RELEASE

JJC wired timer/shutter release (not compatible with the Nikon D3200)

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DAM BLUE HOUR

Yate Dam, Yate

For the life of me, I can’t remember why I didn’t participate at the photo contest for which I took this photo for. I like this image quite a lot though it did take me a long time to find the right edit for it to be so. That’s probably the reason why I didn’t participate.

Canon EOS 1300D + EF-S 18-55 ƒ/3.5-5.6 IS II | 21 mm, 2 seconds @ ƒ/11, ISO 100

The hydroelectric power generated Yate Dam isn’t the largest, tallest, the most power generating nor the most beautiful dam in the world but I still find it very impressive. Probably because I haven’t seen many dams in my life. Still though, for a small island like New Caledonia, it is quite an impressive achievement. And I do find it quite beautiful lit up with Yate Lake behind.

I was quite lucky to get this shot as those dark clouds rolled in pretty quick and it started to rain. It actually rained all night and through the next morning. There were a couple of clear occasions but not long nor good enough for a nice photo. This image dates back to 2018 when I was using the Canon EOS 1300D/Rebel T6 with the kit lens. An Entry level, crop sensor DSLR that I had won from a local photo contest. And very happy that I did because at the time I was borrowing a couple of friend’s cameras. It doesn’t have all the bells and whistles of my Nikon D7100 (which got stolen a year or two before) but it did the job well enough. Of course it does have it’s limitations and I did have a problem with the auto-focus not being on point but when manually focusing at 100%, I couldn’t go wrong. Which is what I did with this long exposure shot. Very little editing on it but what made all the difference was adjusting the Hue of the dam lights. That alone added a more appealing colour contrast to the image. It took me a long time to figure that out but that slight adjustment changed everything.

I’d love to photograph the dam when they open the spillway. I don’t know if they publish times and dates for the occasion though. I’ll try to find out.

Canon EOS 1300D/Rebel T6 +EF-S 18-55mm IS II + accessories

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LE ROOF IS ON FIRE

Ouen Toro, Noumea

Another oldie I found in my collection. This one dates back to 2014 when I was using the Nikon D7100 with the Nikkor 18-105 mm. Again, I was trying my hand at long exposures. I’ve always liked this image but had completely forgotten about it. Goes to show you, it’s worth going back through old image catalogues. You never know what you’ll find.

Nikon D7100 + Nikkor AF-S DX 18-105 mm ƒ/3.5-5.6G ED VR | 18 mm, 30 seconds @ ƒ/11, ISO 100

The photo was taken from the well known Anse Vata Beach and what you’re looking at is Port Bélandre. It has three establishments, the classy restaurant Le Roof, Pop Light nightclub and to the left edge of the image is the bar/nightclub La Bodega Del Mar. The Pop Light nightclub has been refurbished to become the XO Club and opens before sunset whereas before it opened at 10 p.m.. La Bodega and XO are very popular night scenes in Noumea. I’ve never had the chance to try out the restaurant but from what I hear it’s very good. Oh and the women receive a menu without prices on them. Don’t forget your credit cards fellows. A little information you probably don’t want to know is the channel of water between the two rock stacks is actually a sewage outlet. Yep, and some people fish here. Would you?

Though I used all three exposures (2 stops apart) for this HDR (High Dynamic Range) image, I only really needed the 10 second exposure to get the same results. Well, technically, you would need a second image exposed for the “restaurant” sign of Le Roof to avoid the over-exposure of it in this photo but at the time I was more after a silky smooth lagoon than anything else. The images were blended and edited in Lightroom. As you can see by the red horizon, the photo was taken at the very beginning of blue hour. Which means it was brighter outside than the image shows. And that’s a creative decision I took. I wanted a slightly darker, contrasted and moodier image. And I think I’ve achieved that here.

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Nikkor AF-S DX 18-105mm f3.5-5.6G ED VR

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HAPPY HOLIDAYS

Place de la Marne, Noumea

I hope everyone’s had a fantabulous Christmas. Wishing you all a safe and memorable holiday season. May the joy and happiness continue through to the new year.

This is another photo taken at La Place De La Marne. I prefer the Christmas tree in this photo than in my last post. Maybe because it seems more traditional in green. Another long exposure, 5 seconds this time at an aperture of ƒ/11 and ISO 100. A vertical shot which I like quite a bit. I left out all the distractions and captured just the tree and it’s illuminations. I got this shot at the very end of blue hour and was lucky no one was in front of me. Post-processing was very basic too. Nothing fancy, brought up the Shadows, dimmed the Highlights slightly, a bit of Texture and Clarity, a slight Camera Calibration and that’s it. Quick and easy. Very glad everything was captured in-camera.

Take care over the holidays everyone. Have fun but be careful on the road and, please, don’t drink and drive.

TRANQUIL LEMONS

Noumea, New Caledonia

I was doing a bit of cleaning up in my Lightroom catalogue and came across this photo. It dates back to March 2018. I was using a Canon EOS 1300D with a kit lens that I had won in a photo competition. I remember I was out at La Baie Des Citrons (Lemons Bay) trying to capture a sunset. Nothing spectacular happened but I stayed through blue hour trying long exposures.

Blue hour, on the other hand, was beautiful. With everything blue, I remember imagining this photo in black & white before I even took the shot. I wanted a long exposure so I went with the maximum the camera would allow without a remote, which is 30 seconds. To get the cleanest image possible, a very low ISO is necessary, in this case 100. An aperture of ƒ/6.3 gave me the exposure I needed to capture the photo I wanted. The thin clouds are totally smoothed out, the water as well though it was already pretty still. Plain and simple.

Post-processing was a matter of simplifying the image further. Getting rid of all distractions like buoys, sail boats, birds, stars trails and dirt spots from my lens. All that’s left is the ruins of a wharf and the marker, perfect. That’s exactly what I wanted, a minimalist image. I might get this one printed.

All my research about this dilapidated wharf were in vain. The remnants show it used to start from the Four à Chaux (Lime Kiln) of La Baie des Citrons. I’m guessing it may have something to do with that. I would love to get some information on it so if anyone knows something, please drop me a message over on Twitter (@Hervouet) and I’ll update this post with the info. Thank you.

LA NUIT DES ILLUMINÉS DU BAGNE

THE NIGHT OF THE ILLUMINATED JAIL

Noumea, New Caledonia

This event was organised by Association Témoignage d'Un Passé, hosted by them and Site historique de l'île Nou, and held at the Centre de Rencontres et d’Échanges Internationaux du Pacifique (CREIPAC) in Nouville. An evening of music, lights, dance and comedy gave vibrance to this heritage site.

My objective for the evening was to capture the lights on these century old buildings. My mistake though was not arriving before blue hour. It would’ve bumped a couple of these photos a notch above average.

Historically, this place was a hard labour prison and is now a place where people from all over the world come to learn French. And I’m sure to discover the culture here and it’s people.

SHIBUYA

Tokyo, Japan

As this is our last evening and opportunity to do some shopping in Japan, we decided to spend it in Shibuya. Apart from the shopping, there are a couple of other reasons we wanted to come here. The world’s busiest crossing and the world’s most loyal dog.

And you find both at the exit of one of the busiest train stations in the world, Shibuya Station. A popular meeting place and a symbol of enduring loyalty and fidelity, the Hachiko Statue is of a Japanese Akita dog. It’s the story of the dog, Hachiko, that gives significance and importance to the somewhat unimpressive statue. Every day at Shibuya Station, Hachiko would be waiting for his master from his commute home. This continued until the Akita’s death, nine years after his master, Hidesaburo Ueno, died at work from a cerebral hemorrhage. An endearing story that has been turned into movies and books.

We got very lucky when a lady showed up with her Akita to pose in front of the statue. What a gorgeous dog. She was hoping that he would sit still long enough to snap a photo in front of the statue but he was too excited. You can’t blame him though. With hundreds of people in front of the statue, snapping photo after photo, there was no way he could be calm. So glad I got this shot though.

Shibuya’s Scramble Crossing is probably the world’s busiest pedestrian intersection. At peak hour on a Friday or Saturday evening, there can be up to 3000 people crossing this mind boggling intersection at once. It’s quite an experience being in the middle of it all too. The start of the crossing happens fairly quickly with people darting in all directions and you think to yourself “It’s not so bad, there’s plenty of room”. Nearing the centre though is a different story as the pace slows drastically, almost to a halt. People avoiding collision from every direction and now your thinking “There’s no way we make the other side before the cars get the green light”. After what seems like minutes have gone by and you haven’t moved much, the pace pick up and people disappear in different directions. And no joke, cars were already on their way across the intersection as we stepped onto the footpath. Never thought I’d get excited about crossing an intersection.

There are places all around the Shibuya Scramble Crossing to watch the chaos. The Shibuya Station footbridge, the Occitane Cafe, Starbucks, Mag’s Park, just to name a few. We got a coffee at Starbucks and settled on the second floor to capture some images and footage. Also got a quick time-lapse from the footbridge on the way back to the hotel.

Not only a commercial and business centre, Shibuya is also a huge shopping district, a major nightlife area and one of Japan’s fashion hubs for young people. It’s just one of those place you have to visit.

RAINBOW LIBERTY

Odaiba, Japan

Situated on the artificial island of Odaiba in Tokyo Bay, this replica of the Statue Of Liberty was originally a temporary fixture for The Year Of France In Japan in 1998-99, a celebration of the two countries relations. Her popularity though won her a permanent return in 2000. Standing at 11.5 metres hight (1/7th of the New York original) and weighing 9 tonnes, the statue is impressive and beautiful. Lady Liberty is not an only child though, she has a sister in Shimoda and another in Osaka but neither with such magnificent backdrops.

And talking about backdrops, the Rainbow Bridge is the best way onto the island. Opened in 1993, Shuto Expressway No. 11 Daiba Route is the official name of the bridge. Named Rainbow Bridge by the public, I’m guessing, because of the multi-coloured lights cast on it at night. We took the Yurikamome to get to Odaiba. It’s like a train but with rubber wheels and guide-rails. Completely controlled by computers and there are no drivers onboard. The ride was petty smooth and quite fast. Lots of fun.

We arrived at blue hour and only a green light was cast underneath the bridge with white on the towers. Though we took photos till dark, an hour after sunset, the bridge didn’t live up to it’s name. Well, I say that but maybe it did. We went elsewhere where the bridge wasn’t visible and came back over it around 11:30 pm so it may of lit up in the meantime. Where did we go? Find out on the next post.

Not the best framing but the best I could do while it was still blue hour. There were a lot of people around so I couldn’t pick the perfect spot and didn’t have much time to look around either. A single five second exposure with minor editing and a very subtle Orton Effect added. I think if the bridge was lit like a rainbow, it would’ve given a very different mood to the photo. A festive feel rather than the peaceful mood this image has. I like it.

75 mm, 5 seconds @ ƒ/11, ISO 100

SHINJUKU PARK TOWER

Tokyo, Japan

Tokyo skyline from the Metropolitan Government Building in Shinjuku. Amazing views, almost 360º. Even though there was a long queue and bag search before entering the elevator, we got up there fairly quickly and just in time for blue hour. The observation rooms huge and there a cafe in the middle. Worth going up if ever in Tokyo.

I’m not certain that all three of the buildings in this image are named the Shinjuku Park Tower because the Park Hyatt Tokyo is located in these towers too. What grabbed my eye to this scene was the roads that winds behind the towers which adda a colour contrast and helps lead the eye of the view into the image. It was a little challenging shooting this photo, actually all the photos, as there was a lot of reflection from inside the observation room. I set my tripod and camera as close as possible to the window, framed and set the exposure then used the 10 second self-timer to give me enough time to wrap my jacket around the camera and up to the window to avoid any reflection off the glass. It also gave the camera enough time to stop vibrating from the jacket being placed around it. The result, no reflection, sharp and a very happy me.

In regards to post-processing, I cooled the image quite a bit to represent what I saw at the time and added the Orton Effect to the three towers and the orange roads that wind around them. The Orton Effect adds a glow to an image or part of an image. It’s the first time I’ve actually used it and, to tell you the truth, I’m not sure if I like it or not. The towers seem slightly blurry even though they aren’t. I know it’s an effect primarily used on landscape photography to give a dreamy look and feel but I’ve seen it used in other genres too, like back-lit street photography, with great success. So there is a use case for it, I just have to figure out in which cases.

28 mm, 15 seconds @ ƒ/11, ISO 100

PORT OF KOBE

Kobe, Japan

We arrived in Kobe late afternoon and the last bus towards the hotel had already gone. Though we were tired, we decided to walk 20 minutes to get there. A nice walk through the city which made us realise there was a lot to see here. By the time we got to the Meriken Park Oriental Hotel, the sun was just about to disappear below the horizon. What a beautiful surprise when we opened up the curtains to the balcony of our room and saw this gorgeous view. You may have seen one of the photos in a previous blog post.

I quickly setup my gear and started shooting. Single exposures first then once blue hour was over I took a 180º panoramic view. We had arrived just in time to capture these images. So on the left we have Notre Dame Kobe hotel, Port Of Kobe tower, Kobe Maritime Museum, behind that the Hotel Okura Kobe and in front of all that the Meriken Park. You can also see the Bell Of Hortensia and Starbucks right next to it on the bottom right of the image. And not to forget, the cityscape of Kobe in the background.

28 mm, 5 seconds @ ƒ/11, ISO 100

COURBET PLACE ILLUMINATIONS

Courbet Place is a section of what most people refer to as La Place Des Cocotiers (Nouméa, New Caledonia). For a number of years now the Council has transformed this place with illuminations for Christmas. I had the chance to visit late on the last night.

I rushed around for a composition and took a few photos before the lights turned off. I was actually surprised they hadn’t done so already. This was the last photos taken just a couple of minutes before they did. I got down low to include as much of the arch as possible with the bells on the top third and the Fountain Celeste on the bottom third. The low ISO and small aperture gave me a long exposure of a few seconds. I didn’t want anyone in my composition thus had to wait a few minutes for people to walk out of my composition. I took this shot in the meantime and glad I did as the lights turned off shortly after. I would probably never have gotten the shot I was after so I’m thankful I got this one.

3.2 seconds @ ƒ/8, ISO 100, 28 mm

HAPPY NEW YEAR 2019 !

I hope everyone had a fantastic end of year 2018 and I wish you all the very best for 2019.

Just thought I’d quickly share a photo of Noumea’s (New Caledonia) fireworks from last night. I headed up to the Mobilis tower to take these shots. Not the best idea as I couldn’t get close enough with my 28-75 mm lens. I used an app to trigger the shutter, to avoid touching the camera, but that too wasn’t a great idea either. My hands were wet from the rain which caused problems with the touch screen. I’m going to have to get a wired trigger release, I find them more reliable and easier to use. I put the camera in BULB mode and triggered the shutter on and off as I saw the fireworks explode. I took around sixty photos and this was only one that I really loved and successfully captured.

HAPPY NEW YEAR !

9 seconds @ ƒ/4, 75 mm, ISO 100

NIGHT ZOO

As I mentioned on my last post we had dinner at the cafe in Taronga Zoo in wait for it to reopen just after dark for Vivid Taronga Zoo. It’s beautiful and amazing and a must do if you’re ever in Sydney while it’s on. And the kids will be inthralled.

A little challenging for photos especially for positioning and framing. You’ve got to have a lot of patience. Many times I had to wait for people to move and a few times for photographers as they had the perfect spot for the shot I wanted. Because there are a lot of people around, you need to be aware your surroundings. You don’t want someone bumping into your gear or taking a kid out with your tripod or backpack. Be careful and tolerant. And talking about the tripod, a must as all of my images are long exposures. It’s the way to go if you want sharp photos.

A big thank you to my friend and her kids for their patience. They endured the cold temperature for at least an extra hour, instead of being warm and cosy back at the hotel, to give me the chance to capture everything. Merci.

STROLLING VIVIDLY

Who remembers Vivid Sydney? Unfortunately I didn’t have the time to photograph the iconic buildings during this event and I’m sure you’ve seen them either in person or through social media already. I managed a few photos. We (my friend, her two kids and I ) had decided to check out the lights in Circular Quay on the way down from Woy Woy since it was the last day of Vivid Sydney. We had spent the day up there visiting my sister and her little family. It was thanks to a man that had struck a conversation with me, while I set up for my first photo, that I found out about the Botanical Gardens. Well, we had to check it out. I was disappointed I wasn’t able to take many photos along Circular Quay. It was just too crowded. There were thousands of people doing the same thing as we were. It was a lot better once we entered the Botanical Gardens though. And I’m so thankful to the man that approached me as the stroll was just magical. There is so much to see, hear and do during Vivid Sydney that I’ll have to dedicate a trip back just for that. The little we did was such a great experience.

Just a quick shout out to my friend and her kids for their patience. I know it was exhausting for them to wait while I set up my gear, waited for the right moment to capture an image, reviewed the image and do it all over again if I wasn’t satisfied. Especially after an already long day. Thank you very much to all three of you.

THE OLD GREEN TRAM

I almost got the shot I wanted. So close. I was trying to capture light trails of a tram passing by and I did but most of the trails were either white or yellow. I was about to leave and had actually picked up the camera, when I saw an old green tram dropping people off. I set the camera back down on the edge of the fence, focused and as it took off I pressed the shutter button. The two second timer was still on and I ended up capturing the middle and end of the tram. So close. The green light trail really makes a difference. It’s a nice contrast with the warm coloured road but also matches the colour tones of the trees. Though it’s not exactly the shot I envisioned, I still like this photo very much.

The shot was taken from the Etihad Stadium in Docklands (Melbourne, Australia). I used the fence as a tripod, focused to infinity, two second timer and… captured everything a little too late.

4 sec @ ƒ/8, 28 mm, ISO 100

CROWN

I had decided to capture the Crown Melbourne casino from this side of the Yarra River where you’d find the Crowne Plaza Melbourne hotel. It took me a long time to find a composition I liked though. I found these cleats (I think that’s what they’re called) to use for the foreground but I was having trouble with the focal length. So I tried a number of them and found this perspective more appealing. I was hoping for a nice, colourful sunset but it was too cloudy. Didn’t even get a golden hour. Once the sun set though, the clouds cleared a little and blue hour was just magic. So happy I got this photo.

As I mentioned before, I tried multiple focal length, trying to bring the background closer and keeping the same perspective. Starting from 18 mm to 24 mm, 35 mm and 55 mm. I only have a kit lens so it’s all I had to play with. I chose the 24 mm focal length in the end as the image was better balanced and more pleasing to the eye. A long exposure was perfect to capture all the flickering lights on the Crown panel and it smoothed out the water too. After all the trouble and frustration, I’m very happy with this photo.

2.5 sec @ ƒ/8, 24 mm, ISO 100

AustraliaCHRIStophe Robert HERVOUËTSeptember 30, 2018australia, blue hour, canon, casino, christophe robert hervouet, cleats, crown casino, ef-s 18-55 mm f/3.5-5.6 is II, eos 1300d, evening, long exposure, melbourne, photoshop cc, river, vic, victoria, yarra river

BREAKWATER YARRA

On my last post I mentioned I was at Yarra Bay Beach (Sydney, Australia) and that I had moved spot just after sunset because of, well, swimmers. As I mentioned, I moved about thirty metres to my right where there were hundreds of these boulders and cement blocks piled together to make a breakwater. I thought the contrast of these rocks with the dead white shells on them made for a good foreground. Then either the water or the breakwater could be used to lead the viewer to Port Botany in the background.

It was still windy and the water was choppy so I went for a long exposure to smooth out the bay. I did capture it during blue hour and edited for that but I wasn’t really satisfied with the image. So I made a copy and edited it in black and white. Now I was getting an image I really liked. Actually, the photo isn’t purely black and white. I added a dark blue split tone in the shadows. Just a touch to give it a silver effect. I have to say I discovered that by accident. I remembered reading somewhere that split tones are great when used on black and white images. So I tried. Now I like to adjust my split tones individually. I would find the colour and saturation of the highlights first, note the numbers and reset it. And once I’ve got the shadows sorted out, I would add the highlights back and play around with the balance slider to my liking. But I liked so much the effects of the shadow’s split tone, I didn’t even bother adding the highlights back in.

It goes to show, you should always try something new. I learned something from it.

1.6 sec @ ƒ/11, 18 mm, ISO 100

WINDY YARRA

I dropped my mum off at a lunch rendez-vous she had with friends at the Yarra Bay Sailing Club (Yarra Bay Beach, Sydney, Australia) and was pleasantly surprised by the area. I remember passing through here once before, a long time ago. So I decided come back the next day for sunset.

Sunset was around seven-forty-five, I arrive around seven o’clock. Straight away I found this composition. There were people swimming but luckily they were a fair way to the right. No where near my shot. It doesn’t show mush on the photo but it was very windy. Once I setup, I was trying to take photos whenever the wind died down a little. It was very difficult as the wind never stopped blowing. The shot I wanted was just after the sun disappears below the horizon. I had a bit of time on my hands so I chilled out a bit and snapped away whenever the colours in the sky changed.

About fifteen minutes before sunset, a family of five or six come strolling down the beach. They noticed me and you can’t miss the tripod and camera but I couldn’t help thinking ‘they’re not going to walk into my frame are they? I mean they can surely see that I’m photographing the sunset’. And funny enough (not!) they walk into my composition all the while looking at me. Unbelievable! I calmed down and thought maybe they’re just here for a quick swim and they’ll be gone before sunset. Nope. Lucky for me the beach drops a bit behind those rock before reaching the water so I couldn’t see them when they were in the water. They had put their towels on the rocks but thank goodness, out of sight. They were going in and out of the water constantly and it hard to get a shot without them it. I got this one though. The sun was disappearing below the horizon and it didn’t look like they were going to leave so I did. Not far, just thirty metres to my right for a possible blue hour photo.

I was trying to avoid the wind but not having the choice gave me a good photo. Not the photo I was after but a nice one nonetheless. I love how the wind’s blowing the sand between these rocks giving the image a dreamy effect. The lack of drama in the sky and it’s pastel colours, I think, add to that effect. I like it.

1/500 sec @ ƒ/11, 18 mm, ISO 100

THREE BAY SUNSET

I notice this area couple of years back while scouting for another photo. It’s a small, waterfront park in Kaméré (Noumea, New Caledonia). I had found two very nice compositions but unfortunately their foregrounds were littered with cans, bottles, wrappers and even a tyre. It’s a shame to see such a beautiful area ruined like that. Luckily I found this bare tree overlooking the bay.

Sunset was absolutely gorgeous! I took dozens of photos but this is my favourite out of the lot. I love it for three reasons. The colours in the photo, the long exposure effect on the clouds but my number one reason is the light painting. There are different ways to light paint but in this case I used a small torch to paint light on the tree and the bushes. It’s hard to get the right exposure the first time out but after the third or fourth try I finally captured a photo I was happy with. I will definitely try this technique again. It obviously won’t work on all photos but in this instance where my foreground is in complete darkness, light painting can, not only, light up your foreground but add mood to your images.

So there you go, my first light painting. I hope you like it as much as I do.

30 sec @ ƒ/11, 18 mm, ISO 100

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